{"id":7,"date":"2011-01-08T16:21:08","date_gmt":"2011-01-08T16:21:08","guid":{"rendered":"http:\/\/musicweb.ucsd.edu\/~tre\/wordpress\/?page_id=7"},"modified":"2019-03-13T09:49:36","modified_gmt":"2019-03-13T16:49:36","slug":"discography","status":"publish","type":"page","link":"https:\/\/tre.ucsd.edu\/wp7\/?page_id=7","title":{"rendered":"Discography"},"content":{"rendered":"<p><!-- p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times; color: #ff9217} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #8c8073} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times; color: #ff9217; min-height: 23.0px} p.p5 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times; color: #ffcc18} p.p6 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #000000} p.p7 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #535d68} p.p8 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; min-height: 14.0px} p.p9 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times; color: #cc1cef} span.s1 {text-decoration: underline} span.s2 {color: #000000} span.s3 {font: 18.0px Times; color: #5da31e} span.s4 {font: 12.0px Times; color: #000000} span.s5 {font: 12.0px 'Lucida Grande'; color: #000000} span.s6 {font: 14.0px Times; text-decoration: underline} span.s7 {font: 14.0px Times} span.s8 {font: 18.0px Times; color: #73738c} span.s9 {font: 12.0px 'Lucida Grande'} span.s10 {font: 14.0px Times; color: #8c8073} span.s11 {font: 18.0px Times; color: #187534} span.s12 {font: 18.0px Times; color: #184b81} span.s13 {font: 12.0px Times} span.s14 {font: 18.0px Times; color: #4618c6} span.s15 {font: 18.0px Times; color: #861cef} span.s16 {font: 18.0px Times; color: #ef1ccc} span.s17 {font: 18.0px Times; color: #ef1c3f} span.s18 {font: 18.0px Times; color: #ef1f1d} span.s19 {font: 18.0px Times; color: #fa4e19} span.s20 {font: 18.0px Times; color: #ff9218} span.s21 {font: 18.0px Times; color: #ffcc18} span.s22 {font: 18.0px Times; color: #bad41a} span.s23 {color: #73738c} span.s24 {font: 18.0px Times; color: #6c18b0} --><\/p>\n<table style=\"width: 100%;\" border=\"0\" frame=\"none\" rules=\"none\">\n<tbody>\n<tr>\n<td bgcolor=\"tan\" width=\"320\">\n<h1 style=\"text-align: center;\">2010-2019<\/h1>\n<\/td>\n<td style=\"text-align: center;\" width=\"320\">Alvin Lucier<br \/>\nSo You&#8230;<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/luciersoyou.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1570\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/luciersoyou.jpg\" alt=\"luciersoyou\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/luciersoyou.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/luciersoyou-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Sonic Commentary<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj28-cover-lores.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1571\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj28-cover-lores.jpg\" alt=\"lmj28-cover-lores\" width=\"232\" height=\"300\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Sound Check<br \/>\nSeven<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/soundcheckseven.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1572\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/soundcheckseven.jpg\" alt=\"soundcheckseven\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/soundcheckseven.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/soundcheckseven-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Kjell Nordeson<br \/>\nWalking With Mirabeau<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1516 size-full\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9774319-1486144403-2982.png.jpg\" alt=\"R-9774319-1486144403-2982.png\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9774319-1486144403-2982.png.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9774319-1486144403-2982.png-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"text-align: center;\" width=\"320\"><center>Katharina Rosenberger<br \/>\nShift<\/center><a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-12420856-1534946969-9392.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1517 size-full\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-12420856-1534946969-9392.jpeg\" alt=\"R-12420856-1534946969-9392\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-12420856-1534946969-9392.jpeg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-12420856-1534946969-9392-150x150.jpeg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Sound Check<br \/>\nSix<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9917424-1488513405-5289.png.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1525\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9917424-1488513405-5289.png.jpg\" alt=\"R-9917424-1488513405-5289.png\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9917424-1488513405-5289.png.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/R-9917424-1488513405-5289.png-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Morton Feldman<br \/>\nFor John Cage<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/9498_cover2_rgb_large.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1530\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/9498_cover2_rgb_large.jpg\" alt=\"9498_cover2_rgb_large\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/9498_cover2_rgb_large.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/9498_cover2_rgb_large-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">\u00a0Bonus Ghost Tracks<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1534 size-full\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj27_cover_lores.jpg\" alt=\"lmj27_cover_lores\" width=\"232\" height=\"300\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Lei Liang<br \/>\nLuminous<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1541\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/81W348I2Z8L._SS500_.jpg\" alt=\"81W348I2Z8L._SS500_\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/81W348I2Z8L._SS500_.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/81W348I2Z8L._SS500_-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"text-align: center;\" width=\"320\">Anthony Burr \u2022 Anthony Pateras<br \/>\nThe Long Exhale<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/a1807637554_10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1542\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/a1807637554_10.jpg\" alt=\"a1807637554_10\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/a1807637554_10.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/a1807637554_10-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Akira Rabelais<br \/>\nThe Little Glass<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/16864849_10154901309151263_2648599424388316284_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1546\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/16864849_10154901309151263_2648599424388316284_n.jpg\" alt=\"16864849_10154901309151263_2648599424388316284_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/16864849_10154901309151263_2648599424388316284_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/16864849_10154901309151263_2648599424388316284_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Morton Feldman<br \/>\nClarinet and String Quartet<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155903_10154901219436263_2494397693817210318_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1547\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155903_10154901219436263_2494397693817210318_n.jpg\" alt=\"17155903_10154901219436263_2494397693817210318_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155903_10154901219436263_2494397693817210318_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155903_10154901219436263_2494397693817210318_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">\n<\/td>\n<td style=\"text-align: center;\" width=\"320\">Kui Dong &#8211; The Arditti Quartet<br \/>\nDifferences Within Oneness<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2019-03-11-at-11.30.12-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1549\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2019-03-11-at-11.30.12-AM.png\" alt=\"Screen Shot 2019-03-11 at 11.30.12 AM\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2019-03-11-at-11.30.12-AM.png 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2019-03-11-at-11.30.12-AM-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Morton Feldman<br \/>\nPiano, Violin, Viola, Cello<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/feldman-piano-violin-viola-cello-691px.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1550\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/feldman-piano-violin-viola-cello-691px.jpg\" alt=\"feldman-piano-violin-viola-cello-691px\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/feldman-piano-violin-viola-cello-691px.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/feldman-piano-violin-viola-cello-691px-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Meaning Through Meaning<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155917_10154901325016263_2520532967627305225_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1548 size-full\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/17155917_10154901325016263_2520532967627305225_n.jpg\" alt=\"17155917_10154901325016263_2520532967627305225_n\" width=\"241\" height=\"300\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Roger Reynolds<br \/>\nthe imAge-imagE set<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/71MWr8NsluL._SL1458_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1567\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/71MWr8NsluL._SL1458_.jpg\" alt=\"71MWr8NsluL._SL1458_\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/71MWr8NsluL._SL1458_.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/71MWr8NsluL._SL1458_-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Love<br \/>\nBlack Beauty<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10347175_10152509597016263_8025575676001321613_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1557\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10347175_10152509597016263_8025575676001321613_n.jpg\" alt=\"10347175_10152509597016263_8025575676001321613_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10347175_10152509597016263_8025575676001321613_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10347175_10152509597016263_8025575676001321613_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">David Rosenboom<br \/>\nZones of Influence<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10277481_10152509599781263_2218757414597609852_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1558\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10277481_10152509599781263_2218757414597609852_n.jpg\" alt=\"10277481_10152509599781263_2218757414597609852_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10277481_10152509599781263_2218757414597609852_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10277481_10152509599781263_2218757414597609852_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Clipping<br \/>\nCLPPNG<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10665786_10152509600326263_3218527178687622771_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1561\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10665786_10152509600326263_3218527178687622771_n.jpg\" alt=\"10665786_10152509600326263_3218527178687622771_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10665786_10152509600326263_3218527178687622771_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/10665786_10152509600326263_3218527178687622771_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Tashi Wada<br \/>\nDuets<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/1902730_10152509601331263_5769640563734050755_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1562\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/1902730_10152509601331263_5769640563734050755_n.jpg\" alt=\"1902730_10152509601331263_5769640563734050755_n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/1902730_10152509601331263_5769640563734050755_n.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/1902730_10152509601331263_5769640563734050755_n-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">The Shape\u00a0of Spaces yet to Come<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/615487_10152685812931263_1891503995740384359_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1563\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/615487_10152685812931263_1891503995740384359_o.jpg\" alt=\"615487_10152685812931263_1891503995740384359_o\" width=\"229\" height=\"300\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Alvin Lucier<br \/>\nOrchestra Works<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lucierorch.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1576\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lucierorch.jpg\" alt=\"lucierorch\" width=\"300\" height=\"302\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lucierorch.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lucierorch-150x150.jpg 150w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lucierorch-298x300.jpg 298w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">sound&#8230; or it&#8217;s absence<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj.2013.-.issue-23.cover_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1577\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj.2013.-.issue-23.cover_.jpg\" alt=\"mitlm9.frontcover-final.indd\" width=\"232\" height=\"300\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Lei Liang<br \/>\nVerge<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangverge.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1586\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangverge.jpg\" alt=\"liangverge\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangverge.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangverge-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Kui Dong, Christian Wolff and Larry Polansky:\u00a0Trio<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/triodong.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1587\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/triodong.jpg\" alt=\"triodong\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/triodong.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/triodong-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Acoustics<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj22.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1588\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj22.jpeg\" alt=\"lmj22\" width=\"232\" height=\"300\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">J\u00e1nos N\u00e9gysey &amp; P\u00e4ivikki Nykter<br \/>\nDedications 2<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dedications2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1585\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dedications2.jpg\" alt=\"dedications2\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dedications2.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dedications2-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Nicholas Deyoe<br \/>\nWith Throbbing Eyes<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-17.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1581\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-17.jpeg\" alt=\"Cover 17\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-17.jpeg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-17-150x150.jpeg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Chris Brown<br \/>\nIconicities<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/brownicon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1584\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/brownicon.jpg\" alt=\"brownicon\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/brownicon.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/brownicon-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">J\u00e1nos N\u00e9gysey &amp; P\u00e4ivikki Nykter<br \/>\nBerio &amp; Nono &#8211; Duetti per violini<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-22.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1580\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-22.jpeg\" alt=\"Cover 22\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-22.jpeg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Cover-22-150x150.jpeg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Beyond Notation<br \/>\n.<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/beyond_notation_cover.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1582\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/beyond_notation_cover.png\" alt=\"beyond_notation_cover\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/beyond_notation_cover.png 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/beyond_notation_cover-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Anthony Burr<br \/>\nS\/T<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/anthonyburr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1583\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/anthonyburr.jpg\" alt=\"anthonyburr\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/anthonyburr.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/anthonyburr-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">The Clarinets<br \/>\nKeep On Going Like This<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2014-09-29-at-9.18.34-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1597\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2014-09-29-at-9.18.34-AM.png\" alt=\"Screen Shot 2014-09-29 at 9.18.34 AM\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2014-09-29-at-9.18.34-AM.png 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/Screen-Shot-2014-09-29-at-9.18.34-AM-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Jen Shyu + Mark Dresser<br \/>\nSynastry<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/pi39_500.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1598\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/pi39_500.jpg\" alt=\"pi39_500\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/pi39_500.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/pi39_500-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Lei Liang<br \/>\nMilou<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangmilou.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1599\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangmilou.jpg\" alt=\"liangmilou\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangmilou.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/liangmilou-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"320\">Anna Thorvaldsdottir<br \/>\nRhizoma<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/thorvaldottir.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1600\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/thorvaldottir.jpg\" alt=\"thorvaldottir\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/thorvaldottir.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/thorvaldottir-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Sounds Like Now<br \/>\nImprovisation + Technology<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj20.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1601\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/lmj20.jpg\" alt=\"lmj20\" width=\"214\" height=\"300\" \/><\/a><\/td>\n<td style=\"text-align: center;\" width=\"320\">Mark Dresser<br \/>\nGuts<a href=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dresserguts.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1602\" src=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dresserguts.jpg\" alt=\"dresserguts\" width=\"300\" height=\"300\" srcset=\"https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dresserguts.jpg 300w, https:\/\/tre.ucsd.edu\/wp7\/wp-content\/uploads\/2011\/01\/dresserguts-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span style=\"color: #333300;\">2010 (88)<\/span><\/h2>\n<ul>\n<li><a href=\"http:\/\/www.pfmentum.com\/PFMCD058.html\"><span style=\"color: #444444;\">KaiBorg: Harvesting Metadata<\/span><\/a> . pfMENTUM CD058<\/li>\n<li>N\u00e9gyesy\/Lee: Mozart Violin Sonatas<\/li>\n<li><a href=\"http:\/\/www.cdbaby.com\/cd\/dgrey\"><span style=\"color: #444444;\">Daniel Grey: Daniel Grey Piano Music, Vol. 1<\/span><\/a> . CDBaby<\/li>\n<li><a href=\"http:\/\/www.leonardo.info\/lmj\/lmj19cd.html\"><span style=\"color: #444444;\">Listening for Music Through Community<\/span><\/a>. ISAST 19<\/li>\n<li><a href=\"http:\/\/www.newworldrecords.org\/album.cgi?rm=view&amp;album_id=86954\">Music for Merce<\/a>. New World 80712<\/li>\n<li><a href=\"http:\/\/www.newworldrecords.org\/album.cgi?rm=view&amp;album_id=85040\">Larry Polansky . The World&#8217;s Longest Melody<\/a>\u00a0. New World Records 80700<\/li>\n<\/ul>\n<h2 class=\"p4\" style=\"text-align: left;\"><span style=\"color: #003366;\">2009 (81)<\/span><\/h2>\n<ul>\n<li><a href=\"http:\/\/www.newworldrecords.org\/album.cgi?rm=view&amp;album_id=82873\"><span style=\"color: #444444;\">Stuart Saunders Smith: The Links Series of Vibraphone Essays<\/span><\/a> . New World Records 80690<\/li>\n<li><a href=\"http:\/\/music.ucsd.edu\/soundcheck\"><span style=\"color: #444444;\">Sound Check Four: Music From UC San Diego<\/span><\/a><\/li>\n<li><a href=\"http:\/\/www.moderecords.com\/catalog\/210liang.html\"><span style=\"color: #444444;\">Lei Liang: Brush-Stroke<\/span><\/a> . Mode 210<\/li>\n<li><a href=\"http:\/\/www.importantrecords.com\/releases\/imprec272_release_page.htm\"><span style=\"color: #444444;\">THE HARMONIC SERIES &#8211; Musical Works In Just Intonation<\/span><\/a> . Important 272<\/li>\n<li><a href=\"http:\/\/www.newworldrecords.org\/album.cgi?rm=view&amp;album_id=82469\"><span style=\"color: #444444;\">Larry Polansky . The Theory of Impossible Melody<\/span><\/a> . New World Records 80684-2 (rerelease)<\/li>\n<li><a href=\"http:\/\/carrierrecords.com\/index.php?album=sandiego&amp;category=all&amp;artist=none\"><span style=\"color: #444444;\">New Music From San Diego<\/span><\/a> . Carrier 004<\/li>\n<li><a href=\"http:\/\/www.leonardo.info\/lmj\/lmj18cd.html\"><span style=\"color: #444444;\">Why Record? Life in the Age of Digital Performance<\/span><\/a> . ISAST 18<\/li>\n<li><a href=\"http:\/\/www.centaurrecords.com\/search_engine.php?session=50&amp;base_row=80&amp;offset=5&amp;search_string=&amp;category=recent_releases\"><span style=\"color: #444444;\">Janis Mercer: Voices<\/span><\/a> . Centaur CRC 2951<\/li>\n<\/ul>\n<h2><span style=\"color: #333399;\">2008 (73)<\/span><\/h2>\n<ul>\n<li><a href=\"http:\/\/www.cleanfeed-records.com\/disco2US.asp?intID=249\"><span style=\"color: #444444;\">Mark Dresser, Ed Harkins, Steven Schick . House of Mirrors<\/span><\/a> . Clean Feed CF117<\/li>\n<li><a href=\"http:\/\/www.doku-arts.de\/2008\/program\/SamFrancis.html\"><span style=\"color: #444444;\">Jeffrey Perkins . The Painter Sam Francis<\/span><\/a><\/li>\n<li><a href=\"http:\/\/www.circumventionmusic.com\/releases\/initialconditions.html\"><span style=\"color: #444444;\">David Borgo . Initial Conditions<\/span><\/a> . Circumvention Music<\/li>\n<li><a href=\"http:\/\/music.ucsd.edu\/soundcheck\"><span style=\"color: #444444;\">Sound Check Three: Music From UC San Diego<\/span><\/a><\/li>\n<li><a href=\"http:\/\/www.leonardo.info\/lmj\/lmj17cd.html\"><span style=\"color: #444444;\">The Art of the Gremlin: Inventive Musicians, Curious Devices<\/span><\/a> . ISAST 17<\/li>\n<\/ul>\n<h2><span style=\"color: #333333;\">2007 (68)<\/span><\/h2>\n<ul>\n<li><a href=\"http:\/\/music.ucsd.edu\/soundcheck\"><span style=\"color: #444444;\">Sound Check Two: Music From UC San Diego<\/span><\/a><\/li>\n<li><span style=\"color: #444444;\"><a href=\"http:\/\/www.myspace.com\/losnooners\/\">Los Nooners: Amar y Querer<\/a><\/span><\/li>\n<li><a href=\"http:\/\/www.leonardo.info\/lmj\/lmj16cd.html\"><span style=\"color: #444444;\">Interpreting the Soundscape<\/span><\/a> . ISAST 16<\/li>\n<\/ul>\n<h1>2006 (65)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.aucourantrecords.com\/\"><span style=\"color: #444444;\">J\u00e1nos N\u00e9gyesy . Solo Violin Recital<\/span><\/a> . Aucourant Records AUREC 0601-1<\/li>\n<li><span style=\"color: #444444;\"><a href=\"http:\/\/music.ucsd.edu\/soundcheck\">Sound Check One: Music From UC San Diego<\/a><\/span><\/li>\n<li><a href=\"http:\/\/www.frogpeak.org\/\"><span style=\"color: #444444;\">David Mahler . I&#8217;d Like To Sing With You Tonight<\/span><\/a> . Frog Peak FP012<\/li>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj15cd.html\"><span style=\"color: #444444;\">Voix Ex Machina<\/span><\/a> . ISAST 15<\/li>\n<\/ul>\n<h1>2005 (61)<\/h1>\n<ul>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj14cd.html\"><span style=\"color: #444444;\">David Tudor: Live Electronic Music<\/span><\/a> . ISAST 14<\/li>\n<li>David Mahler . Too Late . Frog Peak<\/li>\n<\/ul>\n<h1>2004 (59)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/gp\/product\/B0001OJX0I\/qid=1136756724\/sr=1-22\/ref=sr_1_22\/103-6237179-8465434?s=classical&amp;v=glance&amp;n=5174\"><span style=\"color: #444444;\">Erbe\/Mann\/Polansky\/Repetto\/Wolff . Trios<\/span><\/a> . Pogus Records P21031-2<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/gp\/product\/B00063UECK\/qid=1136765348\/sr=2-1\/ref=pd_bbs_b_2_1\/103-6237179-8465434?s=classical&amp;v=glance&amp;n=5174\"><span style=\"color: #444444;\">Anne Gosfield . Lost Signals &amp; Drifting Satellites<\/span><\/a> . Tzadik 8007<\/li>\n<\/ul>\n<h1>2003 (57)<\/h1>\n<ul>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj13cd.html\"><span style=\"color: #444444;\">Splitting Bits, Closing Loops: Sound on Sound<\/span><\/a> . ISAST 13<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/B0000AV51K\/qid=1067461794\/sr=1-8\/ref=sr_1_8\/002-3083976-8531244\/tomerbecalar\"><span style=\"color: #444444;\">Mel Powell . The California Ear Unit . Settings<\/span><\/a> . New World Records 80616-2<\/li>\n<li><a href=\"http:\/\/www.lovely.com\/titles\/cd4001.html\"><span style=\"color: #444444;\">Jacqueline Humbert . Chanteuse<\/span><\/a> . Lovely CD4001<\/li>\n<li><a href=\"http:\/\/www.musork.com\/o_16.html\"><span style=\"color: #444444;\">Akira Rabelais . &#8230;benediction, draw<\/span><\/a> . orthlong musork orth16<\/li>\n<li><a href=\"http:\/\/www.artifact.com\/release.php?id=1023\"><span style=\"color: #444444;\">Larry Polansky . Change<\/span><\/a> . Artifact CD1023<\/li>\n<\/ul>\n<h1>2002 (52)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.coldbluemusic.com\/pages\/CB0011.html\"><span style=\"color: #444444;\">Larry Polansky . Four-Voice Canons<\/span><\/a> . Cold Blue CB0011<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/B00006GA42\/qid=1067461300\/sr=1-10\/ref=sr_1_10\/002-3083976-8531244\/tomerbecalar\"><span style=\"color: #444444;\">Wadada Leo Smith&#8217;s Golden Quartet . The Year of the Elephant<\/span><\/a> . PI PI06<\/li>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj12cd.html\"><span style=\"color: #444444;\">From Gdansk till Dawn: Contemporary Experimental Music from Eastern Europe<\/span><\/a> . ISAST 12<\/li>\n<\/ul>\n<h1>2001 (49)<\/h1>\n<ul>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj11cd.html\"><span style=\"color: #444444;\">Not Necessarily &#8220;English Music&#8221; . A collection of experimental music from Great Britain, 1960-1977<\/span><\/a> . ISAST 11<\/li>\n<\/ul>\n<h1>2000 (48)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000050929\/sitescraper-20\/002-3083976-8531244\/tomerbecalar\"><span style=\"color: #444444;\">Transmigration Music &#8211; Music from CEAIT at California Institute for the Arts.<\/span><\/a> . Centaur 2490<\/li>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj10cd.html\"><span style=\"color: #444444;\">Southern Cones: Music out of Africa and South America<\/span><\/a> . ISAST 10<\/li>\n<\/ul>\n<h1>1999 (46)<\/h1>\n<ul>\n<li><a href=\"http:\/\/mitpress2.mit.edu\/e-journals\/Leonardo\/lmj\/lmj9cd.html\"><span style=\"color: #444444;\">Power and Responsibility: Converted to Streaming between Machines<\/span><\/a> . ISAST 9<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00000JIQG\/qid=940350777\/sr=1-1\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Wadada Leo Smith . Light Upon Light<\/span><\/a> . Tzadik TZ7046<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00000K38E\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Morton Feldman . The California Ear Unit . Crippled Symmetry<\/span><\/a> . Bridge 9092<\/li>\n<li><a href=\"http:\/\/www.frogpeak.org\/fpcatalog\/FPcc.html\"><span style=\"color: #444444;\">Randy Hostetler . Happily Ever After<\/span><\/a> . Frog Peak FP22<\/li>\n<\/ul>\n<h1>1998 (42)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.frogpeak.org\/fpprojectsfront.html\"><span style=\"color: #444444;\">The Frog Peak Collaborations Project<\/span><\/a> . Frog Peak FP104-2<\/li>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmj8cd.html\"><span style=\"color: #444444;\">Ghosts and Monsters: Technology and Personality in Contemporary Music<\/span><\/a> . ISAST8<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000009N8Y\/qid=940350878\/sr=1-1\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Stephen &#8220;Lucky&#8221; Mosko . The California Ear Unit . Indigenous Music<\/span><\/a> . OO Disc #39<\/li>\n<li><a href=\"http:\/\/robertrich.com\/discography\/album\/?album_id=27\">Robert Rich . Below Zero . Side Effects . DFX33<\/a><\/li>\n<\/ul>\n<h1>1997 (38)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000000R4I\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Louis Andriessen . The California Ear Unit . Zilver<\/span><\/a> . New Albion NA 094 CD<\/li>\n<li><a href=\"http:\/\/www.artifact.com\/azarm.html\"><span style=\"color: #444444;\">Ben Azarm . Neoapplictana<\/span><\/a> . Artifact ART 1018<\/li>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmj7cd.html\"><span style=\"color: #444444;\">Cocks Crow, Dogs Bark: New Compostional Intentions<\/span><\/a> . ISAST 7<\/li>\n<li><a href=\"http:\/\/www.fe.org\/artists\/crawling.with.tarts.html\"><span style=\"color: #444444;\">Crawling With Tarts . I Am Telephoning A Star<\/span><\/a> . ASP 31<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000003GK0\/qid=940351044\/sr=1-1\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Morton Feldman . The California Ear Unit . For Philip Guston<\/span><\/a> (1984) . Bridge 9078A\/D<\/li>\n<li><a href=\"http:\/\/www.frogpeak.org\/fpcatalog\/FPcc.html\"><span style=\"color: #444444;\">Melody Sumner Carnahan . The Time Is Now<\/span><\/a> . Frog Peak FP006<\/li>\n<li><a href=\"http:\/\/www.frogpeak.org\/fpcatalog\/FPcc.html\"><span style=\"color: #444444;\">David Mahler . The Voice Of The Poet<\/span><\/a> . Artifact ART 1019<\/li>\n<li><a href=\"http:\/\/www.fe.org\/artists\/smith.and.nda.kulture.wadada.leo.html\"><span style=\"color: #444444;\">Wadada Leo Smith . Golden Hearts Rememberence<\/span><\/a> . Chap Chap CPCD002<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0000021N4\/qid=940351123\/sr=1-2\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Karlheinz Stockhausen . Kontakte<\/span><\/a> . Ecstatic Peace E#87<\/li>\n<\/ul>\n<h1>1996 (29)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.soleilmoon.com\/store\/searchresults.lasso?ArtistName=HAFLER%20TRIO,%20THE\"><span style=\"color: #444444;\">The Hafler Trio . An Utterance of the Supreme Ventriloquist<\/span><\/a> . Solielmoon<\/li>\n<li><a href=\"http:\/\/www.artifact.com\/cries.html\"><span style=\"color: #444444;\">Jim Horton . Simulated Winds And Cries<\/span><\/a> . Artifact ART 1013<\/li>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmj6cd.html\"><span style=\"color: #444444;\">The Lyre&#8217;s Island: Some Austrailian Music, Sound Art And Design<\/span><\/a> . ISAST 6<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000003YSZ\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Wadada Leo Smith . Tao Njia<\/span><\/a> . Tzadik TZ7017<\/li>\n<\/ul>\n<h1>1995 (25)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000003YSJ\/o\/qid=940377641\/sr=8-5\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Alvin Curran . Animal Behavior <\/span><\/a>. Tzadik TZ7001<\/li>\n<li><a href=\"http:\/\/www.idiom.com\/~barb\/products.htm\"><span style=\"color: #444444;\">Barbara Golden . Greatest Hits: Volume 1<\/span><\/a> . Boner Girls BGP3<\/li>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/cdtoclmj5.html\"><span style=\"color: #444444;\">Innovation in Contemporary Japanese Composition<\/span><\/a> . ISAST 5<\/li>\n<\/ul>\n<h1>1994 (22)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.fe.org\/artists\/crawling.with.tarts.html\"><span style=\"color: #444444;\">Crawling With Tarts . Operas 3 And 4<\/span><\/a> . ASP 27<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000005TWJ\/qid=940351414\/sr=1-2\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Alvin Curran . Schtyx<\/span><\/a> . CRI 668<\/li>\n<li>Alvin Curran . Songs And Views Of The Magnetic Garden . Catalyst 09026-61823-2<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00000AQOV\/o\/qid=940352047\/sr=2-2\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">New Music Indonesia, Vol. 2 (central java): Mana 689<\/span><\/a> . Lyrichord LYCRD 7420<\/li>\n<li><a href=\"http:\/\/shoko.calarts.edu\/~tre\/\"><span style=\"color: #444444;\">Music From The Center For Contemporary Music At Mills College<\/span><\/a> . Centaur CRC2195<\/li>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmj4cd.html\"><span style=\"color: #444444;\">M\u00fasica Electroac\u00fastica De Compositores Latinoamericanos<\/span><\/a> . ISAST 4<\/li>\n<li><a href=\"http:\/\/www.fe.org\/artists\/polansky.larry.html\"><span style=\"color: #444444;\">Larry Polansky . Simple Harmonic Motion<\/span><\/a> . Artifact ART 1011<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ts\/music-glance\/B00000AUKE\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">I Wayan Sadra . New Music Indonesia, Volume 3: Karya<\/span><\/a> . Lyrichord LYRCD 7421<\/li>\n<\/ul>\n<h1>1993 (14)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0000022AA\/qid=940351936\/sr=1-1\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">Asmat Dream: New Music Indonesia, Volume 1 (Sunda)<\/span><\/a> . Lyrichord LYCRD 7415<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000001SH6\/qid=940351789\/sr=1-1\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">A Chance Operation &#8211; The John Cage Tribute <\/span><\/a>. Koch International Classics &#8211; #7238<\/li>\n<li><a href=\"http:\/\/www.fe.org\/artists\/garland.peter.html\"><span style=\"color: #444444;\">Peter Garland . Nana And Victorio<\/span><\/a> . Avant AVAN 012<\/li>\n<li><span style=\"color: #444444;\"><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmjCDs.html\">Vocal Neighborhoods . ISAST3<\/a><\/span><\/li>\n<\/ul>\n<h1>1992 (10)<\/h1>\n<ul>\n<li><a href=\"http:\/\/mitpress.mit.edu\/e-journals\/Leonardo\/lmj\/lmjCDs.html\">Interaction: New Music For Gamelan . ISAST2<\/a><\/li>\n<li><a href=\"http:\/\/www.artifact.com\/tenney.html\"><span style=\"color: #444444;\">James Tenney . Selected Works 1961 &#8211; 1969<\/span><\/a> . Artifact ART 1007\/Frog Peak FP 001<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000005J1K\/qid=940351638\/sr=1-14\/002-4029066-6324242\/tomerbecalar\">Robert Ashley . Improvement<\/a>\u00a0. Elektra Nonesuch 79289-2<\/li>\n<li><a href=\"http:\/\/www.cuneiformrecords.com\/bandshtml\/drnerve.html\"><span style=\"color: #444444;\">Transforms: The Nerve Events Project<\/span><\/a> . Cuneiform 55011<\/li>\n<\/ul>\n<h1>1991 (6)<\/h1>\n<ul>\n<li><a href=\"http:\/\/flotsam.detritus.net\/Detritus\/ostertag\/recordings\/sooner.html\"><span style=\"color: #444444;\">Bob Ostertag . Sooner Or Later<\/span><\/a> . Recrec Recdec 37<\/li>\n<li><a href=\"http:\/\/www.musicandarts.com\/CD4700j.html\"><span style=\"color: #444444;\">Room . Hall of Mirrors <\/span><\/a>. Music And Arts CD700<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0000057UL\/qid=940351518\/sr=1-4\/002-4029066-6324242\/tomerbecalar\"><span style=\"color: #444444;\">The Virtuoso In The Computer Age &#8211; I<\/span><\/a>. Centaur CRC 2110<\/li>\n<\/ul>\n<h2>1990 (3)<\/h2>\n<ul>\n<li>Ear Magazine Presents: Absolut CD #3 &#8211; Improvisation\/Composition<\/li>\n<\/ul>\n<h1>1989 (2)<\/h1>\n<ul>\n<li><a href=\"http:\/\/www.artifact.com\/snake.html\"><span style=\"color: #444444;\">Chris Brown . Snakecharmer<\/span><\/a> . Artifact ART 1001<\/li>\n<li><a href=\"http:\/\/www.fe.org\/artists\/polansky.larry.html\"><span style=\"color: #444444;\">Larry Polansky . The Theory Of Impossible Melody<\/span><\/a> . Artifact ART 1004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2010-2019 Alvin Lucier So You&#8230; Sonic Commentary Sound Check Seven Kjell Nordeson Walking With Mirabeau Katharina Rosenberger Shift Sound Check Six Morton Feldman For John Cage \u00a0Bonus Ghost Tracks Lei Liang Luminous Anthony Burr \u2022 Anthony Pateras The Long Exhale &hellip; <a href=\"https:\/\/tre.ucsd.edu\/wp7\/?page_id=7\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"showcase.php","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7"}],"version-history":[{"count":82,"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":1603,"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions\/1603"}],"wp:attachment":[{"href":"https:\/\/tre.ucsd.edu\/wp7\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}